The Business of Art is an art, believe me, its a wild wild chase of what is, what could be and what we dream art CAN be, its the people that make the art; thats the ART business, People. Just like these awesome creations of Marys’, folks of all kinds, the common thread is a want to express themselves, for as many reasons as they are different. Yes and teachers are all different too, we are all human, unlike these clay figures, Kindness goes both ways, dear readers.
Now is the time to give clay a chance, yes it takes some big equipment, thats where my shop, steps in for you, I do all the firing for my artists. I have glazes for your projects, both are included in your package. I can show you many many techniques for producing many many pieces that will last more than a persons lifetime. I want to help guide you through some of the processes, knowledge will build as YOU decide the direction of your studies.
My studio is always changing to meet my needs or students, its a true work in progress. I was luckiest enough to receive some sage business advice, I don’t know if it was the advice or the fact that I got tired of being frustrated, and that was under my control, too. I am a work in progress just like my studio and my art work, as well. Clay and people, we go way way back together. Lets explore our frontiers, together.
When I look out the windows of my old house, I see my trees, just standing there, well, actually they has gotten big over the 30 years I lived in this house. I surrounded my house with trees long ago for shade, how they endured! My little girls long gone from under and in them, I find, a comfort in their forms, textures, shapes and shades and how the sunlight changes them hourly. Then something fantastic happens inspiration rides my waves of working on a tree and I arise from the dead, once again.
The hands that do the work, our hands, deserve apprication and care. Many years ago I had an accident that involved both my hands and arms, especially my right hand and arm. I learned, not too easily or quietly, the real value of my hands and arms, during that process I made more use of my left hand and arm. Through working with clay the muscles are always working, moving, pushing, guiding, smoothing with hand building or from the pottery wheel. My wrists have stretched and increased my range of motion. I have seen this with the artists that work here as well! Being physical with an art form is a WELLNESS priority for me, the creative process and then the physical manifastation of these ideas in to a real object, useful or aesthetic, call it a pot or an Urn, It makes me happy to work with my hands everyday.
Where can I can share my love of art and movement, clay and ideas? At my open studio times! How it works; is a group setting with individual projects. Each project gets the artist use to a method and piece of equipment, as this is completely student driven. The projects are “created” through conversations with me, lets talk about what you want to make or a process that you want to learn.
I find that inspiration finds me if I am working. Sounds simple? too simple? So come to the studio and start working on something, and see for it works for you. I have a few inspirational ideas and projects for students that need and like direction and on the other hand I have students that like a light directional advice on process or advance glazing process techniques.
Personally I like meeting new folks and getting to know what they want to build and help them create Sculpture. Every bowl, cup, pinch pot is a sculpture that has all the elements of three dimensional design to be considered, and the big question? does it stand up? yes, we talk can about that, too. Whats next? The beautiful glaze surface, Loads of examples too. THE BEST EXPERIENCE IS MAKING A FEW POTS AND SEE.
Starting March 4 th.
Friday’s AM session is moving to 3-6 pm and with the already established session at 6-9, I am pleased to bring these two sessions in line with each other for the possibility of a longer and more productive working session for my artists. As usual this will include the huge selection of glazes and firing of all your creations.
I hope the changes I make to my studio give more artists time to work at the house, see you there, Joan
BOWLS, Food Safe and kitchen ready! Super easy and fast with my slump-hump bowl system, lots of sizes, big platter? The design work is up to you! Don’t be scared… I have loads of ideas, books and internet searches, for lovely patterns to glaze on to the bisqued bowls.
I use and make drawings in my sketch book and then “draw” on the glaze, I like to use a bit of realism within my design work so I usually have a ‘source’. This source may be simply a daisy flower center or a fern fist in the garden, or it may be a photograph of a bird, very
personal to the artist, what images to use. Many of the images used by folk artists have familiar and regional design elements and they are a great place to look for inspiration on big pasta and fruit bowls. The student that made these was inspired by Mexican pottery and I can see that in the big bowl but I think the painter came out in the ‘Bronco Bowl’. Good Job!
the creative journey is a trip to self discovery ,
at my studio this journey is completely personalized as the student decides their path in to the world of ceramics. What do you want to make? its a big question!
Everyone is working on something different and at all skill levels. In this world the important discussions are about Form and Function and Fire and Minerals. Each Project builds knowledge specific to that artist’s hand, eye, strength, style and a smile that comes from the inside, impossible to hide!
We are never too OLD to say ‘Look what I made!’